Over the past few months, we have come across various articles in the media depicting the state of affairs for students of Indian origin living in Australia. Attacks against Indians (allegedly racially motivated) and, what was perceived to be, a poor response by the police and leaders sparked protests in both Australia and India. Widespread media coverage in India has been especially critical of Australia’s handling of this violence. On the other hand, however, the Indian media’s coverage has been likened to hysteria by many in Australia. Many are saying that the Indian media has done more harm than good in their coverage of the events, and in doing so, have shadowed the real problems faced by students in Australia.
So what exactly is going on? A few days ago we received an email from a TLH reader in Australia who wanted to share his perspective on the situation:
I am a year 12 student from Australia about to go into university and I would just like to express some opnions which I hope you could take to the readers of The Langer Hall. Recently there has been much uproar in the Indian media and community about these so-called racist attacks on Indian students in Australia. It really pained me to hear how such events could occur in what has developed to be one of the most multicultural countries in the world. Having just finished school I can say that the range of cultures and backgrounds which I have been exposed to…has been awesome. In my fifteen years as a turbaned boy I have not once felt like this country holds any form of racist ideas against me. My father has been a turbaned bus driver, and now a train driver for many years and he expresses similar ideas to me… Just recently the news begins to appear through investigations by Australian Police that many of these attacks on Indian students..were in fact carried out by other Indian students. I am not saying that all the attacks that occur…are by Indians…but i am raising the point that Australia is not as bad as many people make it seem. I see in Indian newspapers everyday that there was some attack on an Indian and they request Indians to stop going to Australia. Yet not one paper made mention of the fact that it was Indian students who had been arrested for the murders. Well I suppose that is expected in India… [-KS]
Guestblogged by Joo Kay Singh
I’ve just spent the past hour watching 1984: A Sikh Story on BBC1 in the UK, and came away mildly disappointed, but not altogether surprised.
The documentary was framed as a “personal journey” for the presenter, Sonia Deol, to “unravel the events of 1984, an iconic year for Sikhs”, and informs us that “the bloody aftermath that followed [of Indira Gandhi's assassination] so shocks Sonia that she is forced to reappraise the depth of her commitment to her faith”
For the first part of the program, we were served up with interviews mainly with Mark Tully and K.S. Brar who sounded like they were both regurgitating paragraphs from their respective books on the subject on the background to the Invasion. Sant Jarnail Singh was given the usual ‘congress stooge turned bad’ treatment by both, and the Darbar Sahib invasion covered without a hint of investigative journalism. Sonia failed to enquire why 37 other gurdwaras were attacked on the same day, if as per Tully and Brar’s insistence, Indira Gandhi was merely interested in Sant Bhindrawale. She similarly fails to question either of the men on the timing of the attack, on why the entire state of Panjab was placed under curfew, the expulsion of all foreign media, or the killings of pilgrims by the Army.
For our TLH readers in the UK – this documentary is premiering tonight on BBC One at 10:55pm.
Just over 25 years ago, the storming of The Golden Temple, the most sacred of Sikh shrines, by the Indian Army led to protests around the world. Sonia Deol embarks on a personal journey to unravel the events of 1984, an iconic year for Sikhs. It culminated in thousands of deaths including the assassination of the Prime Minister, Mrs Indira Gandhi. The bloody aftermath that followed so shocks Sonia that she is forced to reappraise the depth of her commitment to her faith. [link]
As with every retelling of this part of history, the question is whether the documentary will be controversial. One article suggests the BBC may be stirring up a “hornet’s nest of controversy,”
[It] is likely to prove controversial with some Sikh groups because of its portrayal of the militant Sikh preacher Sant Jarnail Singh Bhindranwale. It is also likely to draw the ire of the Indian government for its story on how it reacted following the assassination of Indira Gandhi. [link]
Nevertheless, this is an event that has often been ignored in international media – so i’m sure many in the community will welcome the coverage. If any of TLH readers do happen to catch the show tonight, please share your thoughts!
Last weekend I attended the Sikh Lens Sikh Art and Film Festival in Hollywood. I have attended film festivals all over North America and strongly believe in their need and presence in our community. Many times, however, the events get overshadowed by the glitz and glamour – the red carpet, the photographers, the eccentric outfits… I was therefore grateful that my experience at the Sikh Arts and Film Festival was a fulfilling one – I left knowing that Sikh Arts and Films bring value to our community and need to be supported. In addition, I felt the organizers made a special effort to keep the event focused on the directors, artists, musicians, actors, authors and organizations who were present. They recognized the fact that we are all in this together. Sikh Arts and Films are only beginning to be acknowledged, there is so much potential and growth that will still occur. However, this isn’t going to magically happen overnight, and it most definitely won’t happen without the community’s support.
I was recently told that Sikhs in the UK spend 7 times more on license plates than they do on books (yes, 7 times!). While I’m not sure of the statistic in the US, the point is clear – perhaps we’re not investing in the right places? I think as a community we have begun to establish the need to support non-profit organizations that are working to address human rights, legal, education and activism issues (although we still have a long way to go to enhance our support). However, what goes hand in hand with this is the support and advancement of Sikh Art and Media. Without a doubt, events such as Sikh Lens are helping to pave the path – however, we as a community need to ask ourselves why we are so hesitant to spend money on independent films, children’s books, on historical references and on paintings. When I think about other immigrant communities, I notice that their advancement as a community comes from their support of one another. Whether we like to admit it or not, our community is extremely frugal and competitive with each other, and unless we start to move away from those stereotypes – we will not be creating a better world for our children.
This weekend Sikhlens will be presenting its annual Sikh Art and Film Festival 2009. The film festival showcases the best in Sikh movie-making talents from around the globe. It also presents a forum for aspiring Sikh artists to also come and display their burgeoning talents. A few book launches are planned with a particular emphasis on children’s books. Authors of A Lion’s Mane and The Royal Falcon are planned to be in attendance to do a live reading.
The inaugural Sikh Art and Film Festival will be held at the historic Egyptian Theatre in Hollywood, CA on November 13-15th.
In previous articles on The Langar Hall, I have written about how certain Sikh-film haters groan in jealousy and spew hatred, about the Sikhs’ taking advantage of new forms of media. Such efforts in the community should be encouraged and more platforms created.
The weekend features a number of different clusters, highlighting issues on the youth, creative Sikhs, short films, feature films, and even Remembering 1984. The Remembering 1984 cluster on Sunday afternoon will be co-hosted with the Jakara Movement in conjunction with it’s Visions of Truth film series.
So whether you come for the entire weekend, make it out to just one cluster (at $15 pre-sale, you won’t find a better price), or at least to Sunday’s mela, check the schedule, check out the films, and make sure you come out and support Sikh arts! We’ll be in attendance and will post on our experience after the event.
The role of Sikh women often remembered in 1984 is that of victim. Yes women were raped, killed, and left to care for their families when their male relatives were kidnapped and killed. However, the strength and perseverance to move forward without justice is often glossed over. I find it powerful to hear Sikh women’s stories of “moving on” while continuing to speak out against the horrific injustices of 1984. Often there is talk about how Sikhs have been in a state of “victimhood” for the past 25 years. I believe the stories of the women below show how some Sikhs have empowered themselves to move forward with their daily lives in the past 25 years while living with the pain and not giving up on the demand for justice. This is agency and not victimhood.
Yes institutions, memorials, and marches show how Sikhs are attempting to move forward as a community; however, these women have done something that is far more difficult-picking up the pieces of their lives in the midst of devastation and mending them together as best as they could for themselves, their families, and their community. These women are inspirational and their lives for the past 25 years show why.
Watch the videos below in Hindi to hear their stories (hat tip: Mallika). One of the most powerful reflections of 1984 I have seen.
25 years ago history was made for several different reasons. Today, as we reflect on the invasion, on the assassination, and on the massacres, we come across multiple news articles which provide information and commentary on the events of that year. I wanted to take the time to document and highlight these articles as they’re worthy reads in providing information to readers around the world. I encourage you to read these pieces – they are vital to our understanding and they will inform Sikhs and non-Sikhs alike about events in our history.
1. TIME magazine featured an article titled, “India’s 1984 Anti-Sikh Riots: Waiting for Justice.” Our readers have previously argued against the use of the word “riot” and suggested that “genocide” is the more fitting description of what happened. Regardless, this is an important article which discusses the often silent victims of 1984 – the widows and their children and the impact the events (and lack of justice) has had on their future.
The widows’ colony in Tilak Vihar is a cheaply built and neglected cluster of homes, which were given by the government to hundreds of women and their children who survived what have become known as the anti-Sikh riots of 1984. But as the grim event’s 25th anniversary nears at the end of this month, crime, addiction and prostitution have taken root in what was supposed to be a survivors’ safe haven. Residents say this is because of the damage to the mental health of children who were witness to their parents’ and siblings’ murders and who grew up in impoverished homes and weren’t given any medical help — physical or mental — for their problems. [link]
Of note: for the 25th anniversary of the event, advertisements by Ensaaf — showing an old woman wiping away her tears, with the words, “25 years ago, our loved ones were burned alive in front of our eyes,” and in the next line, “Why has India, the world’s largest democracy, denied us justice?” — are scheduled for the month of November in the San Francisco Bay Area’s transit system!
While everyone seems to be pretty excited about Kamaljit topping the Billboard charts – it seems that Jay Sean is not the only musician from our community who is gaining a ton of attention lately. In the October/November 2009 issue of East West magazine, an article by Navdeep Singh Dhillon titled, “The Brown Underground” discusses the five new names in hip-hop worth knowing. While on TLH we have featured these names in previous posts and are fans of their work – we wanted to highlight this new article as it provides a very intimate look at these artists. Musicians, rappers, emcees or whatever you may call them – they, at the end of the day, are regular guys (believe me, they are). They work, they go to school, they feel strongly about adversities that are going on all over the world. Unlike many, however, they are using their talent to channel that emotion into creativity and into their music. We definitely like what we’re hearing and whether they know it or not, these artists are paving a path for generations to come.
The article highlights the work of Canadian-based Humble the Poet and Sikh Knowledge, D.C.-based Saint Soulja of G.N.E., Hoodini from Los Angeles and Mandeep Sethi from San Francisco. You can read about their quest into this industry and how being a Sikh plays a role (or does not) in their music. What’s clear about these artists is that while they are Sikh, they don’t necessarily only rap about Sikh issues or only about issues affecting our community and that’s what makes them stand out in my mind. Injustice to any group is an injustice to humanity and as Sikhs, that is something we should resist. We can rest assured that these artists are having that dialogue.
Guess what a British Asian family is hitting the reality TV scene … “Meet The Grewals” will begin filming 24/7 on November 4th in the UK. The three-generation family will be filmed for over eight weeks. Their lives will be aired as part of the iconic series, The Family, on Channel 4.
Director David Clews says: “I think the film captures both the big issues and the intimate moments of family life and I hope everyone will enjoy spending time with the Grewals in the same way I have.”
This past week I came across two videos that are just… cool. The videos are not necessarily Sikhi-related but they show everyday Sikhs in their element. This first video was taken at a U2 concert where a lucky fan [Amp Bains] was invited onstage to sing “Sunday Bloody Sunday” with Bono. So lucky.
In this second video Shakira performs her new song Gypsy. One of her musicians in this video is Shamsher Singh, a Sikh from Florida (hat tip: Sikh Swim). The video can be viewed here.
Jasmeet Kaur Sidhu is a 21-year-old aspiring journalist, who currently writes a climate blog for the Toronto Star (she even has The Langar Hall listed as one of her links!). She was recenly chosen as one of the Top 10 College Women for Glamour Magazine (hat tip: Maple Leaf Sikh). The award is usually given out to college students in the US, however, Jasmeet (a Canadian) was picked to be part of the group this year!
Jasmeet is the founder of the Peel Environmental Youth Alliance (PEYA), a network of students in the Peel Region working to implement environmental programs in all 220 Peel Region schools. She is currently studying Peace and Conflict Studies at the University of Toronto. Her dream is to become an international journalist.
As a sophomore, Sidhu wrote to the Toronto Star suggesting ways for the paper to improve its coverage. She was promptly asked to join the Community Editorial Board—the youngest member ever—and soon started writing opinion columns for the Star, Canada’s largest newspaper. Sidhu, whose family moved from Malaysia to Canada when she was a baby, has covered everything from HIV/AIDS in Africa to climate change. As the peace and conflict major says, “My mother used to deliver the Star when we first came to Canada. Now her daughter writes for the very same newspaper. Amazing, right?!”
I found this video of the Miss World Punjaban 2008 contest interesting because the contestant chose to highlight her Sikh identity that is intimately linked to Punjabi culture. I find that it is easy for us to “intellectually” talk about the separation of the two identities. However, for many, being Sikh and Punjabi are intimately connected. They mutually exist-one does not envision oneself without the other.
Ms. Gurpreet Kaur Khaira from Canada chose to highlight this co-existence of the two identities in the talent portion of the contest. She performs dhadi vaar, while wearing a simple white suit and kessari chunni.
Who is Miss Punjaban and what does she look like varies … there is not only one notion of Punjabi “beauty” or identity … at least in this beauty contest! You can sing dhadhi vaar in simplicity or a Punjabi song in a bright red chunni and kokaa.
(FAST-FORWARD TO 1:44 to see Ms. Gurpreet Kaur Khaira from Canada)
I’ve always enjoyed a good story…and amongst all the depressing news lately of our declining economy, raucous town hall meetings, and corrupt politicians…I often turn to StoryCorp’s podcasts for a quick “pick-me-up”. A few months back, I came across a beautiful piece titled “Finding El Dorado.” It’s the story of Gus Hernandez and the unique friendship he developed with Siddiqi Hansoti as a result of the current economic crisis. I was moved by this simple story of compassion and the power of the human spirit. Take a listen…it’s only 3 minutes [link].
This story got me thinking about compassion and what it means to a Sikh. After some brief research, I found dozens of references to Daya (and its variations – Dayal, Dayala etc.) in the Sri Guru Granth Sahib Ji. Depending on the context, it is loosely translated as compassion, mercy or pity. Several times it is used as an attribute of Waheguru:
miharavaan kirapaal dhaeiaalaa sagalae thripath aghaaeae jeeo |3|
He is Merciful, Kind and Compassionate. All are satisfied and fulfilled through Him. ||3||
Other times it is used in the context of an Ardaas:
jath sath chaaval dhaeiaa kanak kar praapath paathee dhaan |
Please bless me with the rice of truth and self-restraint, the wheat of compassion, and the leaf of meditation.
But what I connected with the most was how compassion was described as a necessary attribute of the GurSikh:
dhaeiaa kapaah santhokh sooth jath gantee sath vatt |
Make compassion the cotton, contentment the thread, modesty the knot and truth the twist.
eaehu janaeoo jeea kaa hee th paaddae ghath |
This is the sacred thread of the soul; if you have it, then go ahead and put it on me.
I’ll admit…Bollywood movies were boycotted and banned in my household as far back as I can remember, so maybe these “religious sensitivity pre-screenings” are common…but the course of events surrounding this new movie is still quite strange…even for Bollywood’s standards.
Last week, a new movie titled “Love Aaj Kal” was released, with Saif Ali Khan playing a Sikh as the lead male role. However, shortly before the release, the Punjab Cultural and Heritage Board objected to his portrayal of a Sikh.
Explaining their stand, Charan Singh Sapra, President of Punjabi Cultural And Heritage Board informed a tabloid, “We are objecting on the grounds that Saif is shown with a very trim beard.”
Long story short, after Khan’s formal apology and a paparazzi-filled press conference at Guru Singh Sabha Gurdwara, Dadar – 15 seconds of a questionable scene was cut from the movie and Khan declared he would not portray a Sikh “incorrectly” again in future roles. All smiles, the Punjabi Cultural And Heritage Board gave the movie “two thumbs up” and the green light to proceed.
I guess I should be happy that an organization is concerned enough about the image of Sikhs to raise such a fuss…except for the fact that we’re talking about fantasy-land. My question is…where is the organization that cares about the Sikh image in real life?
I was very impressed to see this great article (and cool pic!) in today’s Daily Mail. Along similar lines as last week’s post on the Blue Beret Kanhaiyas, it is wonderful to see Sikhs presented in this light…as confident and courageous soldiers in highly respected positions. Equally fascinating are some of the comments to the article which seem to be coming from mostly non-Sikhs, such as “Her Majesty is in safe hands with those two guarding her” and “Very smart they look too.” This is a far cry from the hate you’ll find on some of the military websites and blogs regarding the Sikh Coalition’s “Right To Serve” campaign. I hope this milestone and media attention of the Queen’s new guards will help serve as a stepping stone in this historic campaign here in the US.
Turbanology, or knowledge of Turbans, is a TV documentary recently released in the UK which explores the meaning of the turban in England since the London bombings. Filmmaker, Jay Singh-Sohal, was working for a conservative think-tank in the US when he first began considering the misconceptions surrounding the turban and the subsequent profiling of individuals and communities. The documentary discusses the origin and importance of the turban in modern Britain to “see whether it’s just harmless headwear or really the fashion of a fantatic”.
The film addresses the impact 9/11 and 7/7 has had on the [mis]understanding of the turban as a symbol of fear, hatred and global terrorism. Australian researchers at the University of New South Wales published a study in 2008 which found that simply noticing someone could be a Muslim increased the aggressive tendencies on the part of non-Muslim westerners. They called it the “Turban Effect.” Turbanology seeks to raise awareness of the turban’s importance and discuss why the people who wear it consider it a crown. In the documentary, Jay Singh-Sohal speaks to music producers, politicians and ordinary Sikhs and Muslims who have been affected by wearing a turban. (A preview of the documentary can be seen after the jump).
“The documentary discovers that simply noticing someone could be a Muslim increases the aggressive tendencies of westerners. The give-away sign is the turban, and the beard. Whether conscious or sub-conscious, the fact that terrorism is a worry for many people means that there’s been a rise in profiling who could be a threat – an issue explored in the piece.” [link]
Oh India. You can’t hide the skeletons in your closet forever.
It appears that the US Commission on International Religious Freedom was on its way to India this week. (The USCIRF is a federal group that works to promote freedom of thought, conscience and religion; protect people from abuses like detention, killing and torture; and challenge religious intolerance and repression throughout the world.) Well, they were scheduled to go, had their tickets ready and their bags packed. But India’s administration decided that they weren’t welcome in India.
It’s really quite ironic. The Congress party’s recent Parliamentary win over the BJP has been seen as an explicit rejection of the religious intolerance that the BJP represents (though it may have had more to do with support for Congress’ economic policies). Yet it is the Congress party administration that has refused USCIRF entry. Maybe the Congress party’s sound defeat of the BJP has swelled the Congress Party’s confidence a little too much.
New Delhi knew that the USCIRF team was scheduled to leave on June 12, but the visas just didn’t get stamped in time. Was it just a rare and regrettable oversight? [After all, with so many tourists flooding the country, a few visas could fall through the cracks right? (HA!)]
It is often said that a revolution begins not with the sword but with the pen. However, last Friday night in a packed banquet hall in the Toronto suburb of Malton, I witnessed a revolution begin with the microphone.
At an event entitled “When Lions Roar”, fantastically organized by the Sikh Activist Network, one young artist after another got on to the mike and paid homage to the lives destroyed in 1984. I was blown away by the talent and passion displayed by the performers. Through the art of spoken word, music, and action, each of the 26 acts put a different face on the impact of June 1984. They were all unique in their perspective, but all shared one common thread: 1984 is just too important to forget.
Over 1000 people gathered to attend the 4+ hour event. They covered the entire spectrum of Sikh life. This was not your typical retreat and kirtan crowd. In fact, the diversity of performers and audience has challenged me to rethink my stereotypes about who cares about 1984 and the future of the Sikh panth. Individuals that I would have never suspected of having even a passing interest in Sikhi or the Sikh community, would come up to the mike and speak with such energy, insight and emotion. They often reduced me to tears. And most amazing was the fact that almost all of them weren’t even alive in June 1984.
For a thirty-something guy like me who has always considered myself part of the “youth”, it was indeed a little bit humbling to realize that, while I’d probably still be the youngest guy at a Youth Akali Dal meeting, I’m now probably a generation or two above the youngest Sikh leaders. Which means me and my fellow Generation X-ers need to spend less time trying to do it all ourselves, and more time using our resources to enable the next wave of younger Sikhs to establish their own voice and institutions. We were the first generation coming through the diaspora, with little support from our elders. However, we can make it easier on our younger brothers and sisters. We can provide them seed funding to start their dreams, connect them those that can help them along the path, and help coach them through their challenges.
As you’ll see from the videos and photos, the next generation has indeed stepped up, their language of change is hip-hop and I think they’re gonna be alright.
Click through for videos and pictures.
He locked the washroom door, unravelled the nine-metre turban, took a pair of scissors and started cutting. Ten minutes later, three feet of hair lay in a pile and Charanbir Singh sat down and cried.
Outside, his parents and grandmother were in tears. Two friends persuaded him to come out, but Charanbir, his head wrapped in a towel, rushed to his room.
That was a year ago. Charanbir, now 17, still shudders at the memory. “I had to cut my hair.” (Link)
One of ironies of life in the 21st century western world is that despite an unparalleled degree of freedom of religion, the majority of people seem to be opting for freedom from religion.
Last week, Raveena Aulakh, a reporter from the Toronto Star, put a Canadian twist on the worldwide issue of apostasy amongst Sikh Youth.
Sikhism dates back to 15th-century India. Adherents are required to not cut their hair, considered a visible testament to their connection with their creator. The turban was adopted to manage long hair and make Sikhs easily identifiable.
For many young men in Greater Toronto, that is the problem: They don’t want to stand out.
Like other new or second-generation immigrants, many Sikh youngsters are desperate to fit in with the school crowd, while others complain of racism because they wear the turban. Add to that cultural influences, peer pressure and the desire to assimilate.
The end result? Many youngsters cut their hair, leading to family friction and, in some cases, lasting estrangement.
As a counterpoint, in the article and video above, Pardeep Singh Nagra (of boxing fame) presents his thoughts on why he’s decided to keep his hair.
Fear & Guilt
I’ve often wondered why so many Sikh youth keep their hair through high school but cut it as soon as they feel free from their parent’s control? From my perspective I see this as symptomatic of a great challenge facing Sikhs around the world today. Somehow, someway, we have fallen into the trap of pushing Sikhi to the next generation with fear and guilt, rather than sharing Sikhi through love.
Take your typical Sikh family; actually take mine. My now 25 year old cousin in Punjab had wanted to cut his hair since he was a teenager but two things stopped him. He was afraid that if he cut his hair his dad would beat him and then disown him. Secondly, he knew that if he did get a haircut and shave he wouldn’t be able to look his crying mom in the eye.
Unfortunately, there was little positive reinforcement around Sikhi in his life. Sure there was Sikhi by osmosis: visiting Gurdwaras, gurbani playing in the background, the odd sakhi told by our visiting grandfather. However, my cousin had little exposure to the aspects of Sikhi (nitnem, kirtan, seva, simran) that would have connected him with his faith on a deeper level. Most of the discussions with his parents were a flavour of the famous Goodness Gracious Me clip. So not surprisingly, upon entering college, he too cut his hair. And sure enough, he became our family’s black sheep, making a kid with already low self-esteem, feel even worse.
This past weekend, as I was talking to a Punjabi Sikh woman who came to the United States about 13-14 years ago, I heard how agency and perseverance define the experiences of immigrant women in the United States. She told me about the great new apartment she just got for her family and how the laundry is free. A new apartment building with free laundry, that is absolutely awesome! Her smile, confidence, and enthusiasm were strongly lined with struggle and hard work; although she never directly said it. Her hard work and perseverance resounded clearly and loudly as it lay nestled in her comment about how her children had seen a lot of struggle in their lives. This statement meant that they had witnessed her struggle to provide the basic necessities in life, which means not always having access to the privileges other children gain more easily. I sensed her confidence in her and her family’s work ethic, but also her own guilt of not being able to provide more.
This month, New America Media (NAM) released the results of a historic poll on woman immigrants to America. Often the experiences of women immigrants are not fore grounded in immigration research. They and their children are general viewed as the “dependents” of the sojourner husband/father. Their struggle, as the one mentioned above, are rarely brought to the center of the immigrant narrative.
