Having just been named as one of the international best-dressed honorees by Vanity Fair, Waris Ahluwalia is getting noticed not only for his dynamic sense of style but for his versatile portfolio. Best known for being a unique jewelry designer, Waris is also an actor (having starred in Wes Anderson and Spike Lee films) and recently co-wrote a book, To India with Love.
I never get tired of talking about Waris Ahluwalia by the way, but apparently i’m not alone. Blogs and articles are abuzz discussing his jewelry company, House of Waris, his sartorial taste and even his interest in Bollywood.
Wait, Bollywood… really?
…Despite his turban and beard look, Waris says that he has never been stereotyped in Hollywood. “Everyone likes to put people in categories, whether its Hollywood, Bollywood or the media in general. Whenever I meet agents their big concern is that I’ll be stereotyped. Well, I haven’t been stereotyped yet. “Some of the roles I’ve played; camera man, a bank hostage, a Republican, a hypo-chondriac, none of these roles called for an Indian.” [link]
Here on TLH, we’ve covered a variety of talented musicians including Sikh Knowledge, Mandeep Sethi and Humble the Poet. We’ve been following these individuals, their music, new collaborations and of course new albums. I am a huge believer that youth (yes, we have a particular interest in Sikh youth here in TLH) should be encouraged to pursue their talents regardless of what may be expected of us. These musicians are doing just that – and they are creating incredible music that speaks to the masses.
This post is for Hoodini & KinG. I have to say Hoodini is one my favourites. Not only is he extremely talented (listen to track 6/Keep it Rollin’ and track 10/Til I’m Through of the mixtape) but he’s a nice guy (a really nice guy)… and the kid has serious style. It’s like he knows he’s going to make a mark on the world, and is dressed for the occasion…
So i didn’t mean to just mention this mixtape in passing – you really have to download and listen to it yourself. It is a really dynamic piece of work. Hoodini & KinG! Present: A California Classic, is available here. While Hoodini is the emcee, the album was produced by KinG! né Keith Rice – a 21 year old producer from the San Fernando Valley in Los Angeles (he’s really really talented). Even though the two went to different high schools, their mutual love of hip-hop was destined to bring their forces together so that they could make music that would “make people fall in love again.”
I asked Hoodini what inspires him and what he told me was this,
This video put a smile on my face – great beat and amazing vocals. Enjoy!
About the video: “… Duke and I hopped into a great Punjabi food spot on 1st and Ave A, where he has a long history of jamming with the brothers there.The saag is spiced perfectly, the gulab jamun not too sweet, and vocals ring out non-stop through the night.” [link]
Last year, Maple Leaf Sikh highlighted a revolutionary event which occurred in Toronto and brought together young Sikhs to pay homage to 1984. The event, hosted by the Sikh Activist Network, returns this year and brings together artists such as Hoodini, Mandeep Sethi, Selena Dhillon and Yudh Gatka Akhara and more. For those of you who are dealing with post-Sikh-conference-blues – When Lions Roar II promises to be yet another excellent event bringing together Sikh youth in an impactful way.
A Night of Hip Hop, Poetry, Spoken Word, Gatka and More…
To Remember 1984
Friday June 25
Mirage Banquet Hall
Admission: Pay What You Can
All Ages – Doors Open at 6pm
By now, everyone should have heard of Glee – a musical comedy-drama television series focusing on a high-school glee club. A glee club is a musical group which traditionally specializes in the singing of short songs. Before writing this blog post, i didn’t quite know how big this phenomenon was… but apparently it’s big and there is a large following of gleeks and gleemania.
A young Sikh girl by the name of Raveena is hoping to audition and land a role on the show. There is a Facebook page dedicated to helping “Raveena get on the show”.
I am auditioning for this TV show called Glee, I trust that you have heard of it and I need your help. As a Sikh, its been really hard for me to land roles in a more professional environment because there are very few roles available for Indians. With the nationwide casting call for Glee, I can hopefully show everyone what I’ve got and get a call back for a show that is looking for people who don’t quite fit the mold.
Here on TLH, we love to highlight Sikhs who are pursuing their passions. Watch Raveena’s video and if you like it – take a few moments to rate/comment on her video so that she has a chance to audition for the show.
Many of you will recall the protests which emerged in 2004 when Gurpreet Kaur Bhatti went to stage her second play, Behzti. The play, which covered issues such as rape and violence within the setting of a gurdwara, caused an uproar in the Sikh community in Birmingham and was later canceled. Many community members welcomed the decision to cancel the play, while others argued that limiting the playwright’s free speech was actually detrimental to the Sikh community. It was nicely put in a Guardian article stating that, “The dispute became a classic conflict between the artist’s right to freedom of expression and a community’s wish to have their faith treated with dignity.”
The Rep had taken the unusual step of inviting Sikh community leaders to a private preview to air their concerns, after which they agreed not to oppose the play if the setting was moved to a community centre. Bhatti refused. “I wanted to write a play about religious hypocrisy,” she explains, “for which the setting in a gurdwara was non-negotiable. The attempt to establish a dialogue with the Sikh community was well intentioned, but ultimately misinterpreted as an invitation to rewrite my play.” [link]
Gurpreet Kaur Bhatti later found a card among her Christmas mail that read: “Seasons Greetings. This will be your last Christmas. You are a disgrace to the race. Sending you lots of hate.” Bhatti was forced to go into hiding. Behzti sparked protests and death threats, and now the playwright is attempting to address the controversy in her new play, Behud – which translates colloquially as “beyond belief”.
Amongst the male youth in Punjab, drugs are a serious problem today. With high unemployment rates, and a 
history of violence in the region, the environment is ripe for drug abuse. A Punjab government survey found that one out of three male students use at least a form of tobacco. And on a recent trip to the region, as we were driving between pinds, my relatives pointed out the jeeps, distinctive with their black lights, that carried young drug dealers. The young men sitting inside were all in their teens.
In response, Ajmer Aulakh, a well known Punjabi professor and writer has written a play, “Avesle Yudha Di Nayika” (An Unsung War Heroine), that recently attracted a large audience at the Government College for Boys in Ludhiana.
Aulakh is a noted playwright, artist and winner of Sahitya Akademi Award. He has dedicated his life to theatre and generally works on issues and problems confronting the common man. [TOI]
This much-needed play had students riveted, incorporating Punjabi poetry.
The play highlighted the menace of drugs, delineating how a family loses everything to the evil. Jodha Singh, a villager landlord, is survived by his wife and two children. Satwant Kaur, wife of Jodha Singh, wants their kids to go to school and study, but owing to drugs, the family property is lost. The play portrays the consequent struggle. It depicts how she fights odds to enable her children to continue their studies. The play was performed by artists who are part of Lok Kala Manch and was supported beautifully by Punjabi poetry. [TOI]
If you’re in the Toronto area this weekend, a wonderful event awaits you! The Royal Ontario Museum will be celebrating South Asian Heritage Day which will bring together artists, authors, performers and filmmakers to showcase South Asian culture. The event will showcase Manu Kaur Saluja’s Kings of the Punjab portraits at the Sir Christopher Ondaatje South Asian Gallery. Children will have the opportunity to enjoy a special reading by author Navjot Kaur of her children’s book “A Lion’s Mane” which explores Sikh identity and the many connections we share as global citizens. Event details can be found here.
South Asian Heritage Day 2010
Royal Ontario Museum
Sunday, February 21, 2010
11am – 4pm
The Multifaith Calendar is looking for art submissions under the theme “Celebrating Diversity”. They would like to feature art from as many different faith groups as possible. This calendar is a great educational tool that lists and explains holidays that are important to 14 different world faiths including Sikhism.
The theme for the 2011 edition is: Celebrating Diversity. Work can be of any medium. The interpretation of the theme will be determined by the collection, so we invite artists to submit images that capture a unique or poignant expression of art or people celebrating their faith. We are looking to showcase a diversity of faiths in the collection. We encourage all artists to submit images, including artists who have had their work showcased in past Multifaith Calendars. [link]
Sounds like a great project and a wonderful opportunity for the many developing artists in our community. Submissions are due by February 28th, 2010. For more information, please see: www.multifaithcalendar.org
On our weekly library trips, I find myself going through shelf after shelf of children’s books trying to find something both entertaining and challenging for my young and enthusiastic readers. Often times, the books we find are one-dimensional; either instructive, or funny, or downright silly. Rarely do I come across a book that strikes a balance of being both educational and inspiring…this is what I found in A Lion’s Mane by Navjot Kaur
A Lion’s Mane is about the journey of a young Sikh boy who while discovering why he has his long mane (kesh), also learns about the principles of his faith. Concepts like patience, generosity, wisdom, and courage are all woven in to his beautiful red dastaar that guide you through the story.
In addition to the captivating illustrations, it is the simple messages that are reinforced throughout the story that I found particularly meaningful and easy for children to process. Statements like,
“When we learn something new, it makes each of us stronger”
“Being a Khalsa knight gives me the courage to stand up to bullies”
Although I have read several children’s books that touch on the Sikh experience, what I appreciate most about A Lion’s Mane, is how Sikh religious and cultural principles are raised in the context of other cultures and communities with similar principles. I had no idea of the symbolic role the lion played in Native American Hopi culture. In explaining who we are to non-Sikh communities, I think it is just as important to share how our traditions are similar as it is to show how we are different. This pushed me to learn a bit more about some of the other people and cultures mentioned. I found the glossary most useful in explaining to my children who is Wangari Mathai and what the Anishinaabe tribe is.
Vishavjit Singh’s work hardly needs any introduction in Sikhdom. Since 2003, his Sikhtoons have become ubiquitous on those webpages where Sikhs are found. It was the events of 9/11 that first pushed this Sikh activist and 1984 survivor to tell his story and the stories and thoughts of so many more to pick up his pen.
From politics to 1984, from sports to Hindutva, few topics are beyond Vishavjit’s interest. This past fall, as so many Sikhs sought to remember 1984 in their own ways, Vishavjit Singh had a gallery display his artwork.
The New Century Artists is a nonprofit gallery caters to underrepresented communities and is among 15 galleries housed in a building located in Chelsea. From November 17th to November 28th they played host to the exhibit – When A Big Tree Falls.
Last weekend I attended the Sikh Lens Sikh Art and Film Festival in Hollywood. I have attended film festivals all over North America and strongly believe in their need and presence in our community. Many times, however, the events get overshadowed by the glitz and glamour – the red carpet, the photographers, the eccentric outfits… I was therefore grateful that my experience at the Sikh Arts and Film Festival was a fulfilling one – I left knowing that Sikh Arts and Films bring value to our community and need to be supported. In addition, I felt the organizers made a special effort to keep the event focused on the directors, artists, musicians, actors, authors and organizations who were present. They recognized the fact that we are all in this together. Sikh Arts and Films are only beginning to be acknowledged, there is so much potential and growth that will still occur. However, this isn’t going to magically happen overnight, and it most definitely won’t happen without the community’s support.
I was recently told that Sikhs in the UK spend 7 times more on license plates than they do on books (yes, 7 times!). While I’m not sure of the statistic in the US, the point is clear – perhaps we’re not investing in the right places? I think as a community we have begun to establish the need to support non-profit organizations that are working to address human rights, legal, education and activism issues (although we still have a long way to go to enhance our support). However, what goes hand in hand with this is the support and advancement of Sikh Art and Media. Without a doubt, events such as Sikh Lens are helping to pave the path – however, we as a community need to ask ourselves why we are so hesitant to spend money on independent films, children’s books, on historical references and on paintings. When I think about other immigrant communities, I notice that their advancement as a community comes from their support of one another. Whether we like to admit it or not, our community is extremely frugal and competitive with each other, and unless we start to move away from those stereotypes – we will not be creating a better world for our children.
Two great events are happening this Saturday: in San Francisco- “Women in 1984″; in New York- Lahir.
If you’re anywhere near either of these 2 cities, you better be there, or you’ll regret missing out!
Women in 1984
Dr. Cynthia Mahmood’s work deals directly with the issue of militancy and she will discuss the violence in Punjab from the macro lens of India as a democracy.Navkiran Kaur Khalra will speak of her own experiences as the daughter of S. Jaswant Singh Khalra and the heritage of his vision. The Khalra family’s narratives is inherently linked to the states backlash against movements desiring human rights and autonomy.Jasmine Kaur Marwaha, human rights lawyer for Ensaaf, will be discussing the the right to reparations for victims of the November 1984 pogroms, as well as victims of the Punjab counterinsurgency, from a gendered perspective.
By neglecting art, we’ve been neglecting our spirituality. And perhaps vice versa. Perhaps we could practice receiving a little more, instead of doing, as we normally do.
Most of us, especially in Asian communities that so highly value scientific endeavor, and want the next generation to all be doctors, grossly undervalue art. Sadly, this might be stunting our spirituality.
How often have your teachers, parents, and other adults in your life impressed upon you the importance of active effort, purposeful thought, and discipline? The scientific methods we rely upon to explain our environments and the universe all rely on these traits and oh-so-important- rationality. Through decades of education, we’re pounded into submission, learning to accept that rationality is good, and irrationality, bad.
But that’s not entirely true. And in the last week, I noticed that both Japji Sahib and a popular American site (especially amongst techies) bypassed rationality to focus on the importance of a different kind of knowledge – intuition. And it rang true. Intuitively. Irrationally.
From the 13th Pauri of Japji Sahib:
This weekend Sikhlens will be presenting its annual Sikh Art and Film Festival 2009. The film festival showcases the best in Sikh movie-making talents from around the globe. It also presents a forum for aspiring Sikh artists to also come and display their burgeoning talents. A few book launches are planned with a particular emphasis on children’s books. Authors of A Lion’s Mane and The Royal Falcon are planned to be in attendance to do a live reading.
The inaugural Sikh Art and Film Festival will be held at the historic Egyptian Theatre in Hollywood, CA on November 13-15th.
In previous articles on The Langar Hall, I have written about how certain Sikh-film haters groan in jealousy and spew hatred, about the Sikhs’ taking advantage of new forms of media. Such efforts in the community should be encouraged and more platforms created.
The weekend features a number of different clusters, highlighting issues on the youth, creative Sikhs, short films, feature films, and even Remembering 1984. The Remembering 1984 cluster on Sunday afternoon will be co-hosted with the Jakara Movement in conjunction with it’s Visions of Truth film series.
So whether you come for the entire weekend, make it out to just one cluster (at $15 pre-sale, you won’t find a better price), or at least to Sunday’s mela, check the schedule, check out the films, and make sure you come out and support Sikh arts! We’ll be in attendance and will post on our experience after the event.
In keeping with a spirit of Remembrance and quest for Justice as the 25th anniversary of the Nov. 3, 1984 pogrom in Delhi nears, don’t miss out on these East Coast events! Many events have been held nationwide this past year- educating and inspiring young generations of Sikhs. We are getting better acquainted with our history, connecting with the Sikh spirit of activism, and becoming inspired to be agents of change.
One event that has been a particular pathbreaker has been Lahir. [1, 2] Not only has it created an avenue for artists to express themselves, it has done so around an event in our community’s history that is a catalyst for many, and thus become a catalyst itself. If you missed it in DC, don’t miss it in NY!
Lahir-NY: Saturday, Nov. 21, 2009
From the artists who brought you the original Lahir, together with additional national and local talent, get ready for Lahir – New York… [details below the fold]
Those of you who know my blogging tendencies, know that I wouldn’t pass up an opportunity to post about our favorite New Yorker! Waris Ahluwalia’s recent presence in Vogue (hat tip: Anandica) comes about as a contender for the prestigious CFDA/Vogue Fashion Fund award. The award helps emerging American designers pursue their design and business plans through financial support and professional mentoring. Waris Ahluwalia is one of only ten designers nominated for this award for his jewelry business, House of Waris. He states that his inspirations “have always been love and history. But I don’t claim to understand either of those.”[Waris Ahluwalia] moved with his family from Amritsar, Punjab to Brooklyn, NY at the age of 5. He thought of becoming a doctor, a lawyer, risked one advertising interview, attempted to make a music magazine, got involved with a friend’s NGO for increasing HIV/ AIDS awareness in South Asia and found himself back in New York, immersed in the art life of the city. He then has a guy in New York make some jewellery for him, escapes the cold of the city for LA, helps a friend set-up a restaurant and one day, wanders into ultra-luxe boutique Maxfield’s where the owners spot his rings, immediately place an order, they sell out and House of Waris is born. [link]
I came across this video from a cultural event in Northern California. It features Ustad Lal Singh Ji Bhatti, among others, live on stage performing Boliyan and Tappe in his famous voice. You get to hear (and see) many folk instruments including the Sarangi, Tumbi, Algozey, Dhad, Chimta, Dhol, etc. We sometimes loose some of these instruments to the bass and background noise in todays remix culture…its nice to hear them center stage. Enjoy the videos after the fold.
How can Punjabi traditions, environmental awareness, and women’s space all be nurtured at the same time? Trinjan. Two organizations in Punjab recently teamed up to begin this. The Kheti Virasat Mission (KVM), 
working towards sustainable agriculture, conservation of natural resources, environmental health and eco-sustainable technologies teamed up with Pingalwara, the org started by Bhagat Puran Singh in Amritsar as a refuge to care for those who had nowhere left to go. [Hat tip: Big B!]
These two groups combined efforts to revive the lost tradition of Trinjan. KVM created a new initiative- the Women Action for Ecology to encourage women’s participation in an agro-ecological revival movement in Punjab.
From pictures on Pingalwara’s site, it seems that Pingalwara may have envisioned this first attempt at reviving Trinjan to be more a display of Punjabi traditions- natural foods, arts, and crafts. However a report from KVM envisions a much more active and central role for women in reviving Trinjan.
Since women are the first and worst victims of the agro-ecological crisis here and elsewhere, women need to work towards the mitigation process, for their own sake and for the sake of the community. Trinjan is an effort to mobilize women to appreciate their own traditional wisdom and role in the preservation and conservation of the environment in Punjab. Platforms for sharing of knowledge and spreading of practice are the main tool for empowerment of women in Trinjan. (emphasis added) [KVM report]
While everyone seems to be pretty excited about Kamaljit topping the Billboard charts – it seems that Jay Sean is not the only musician from our community who is gaining a ton of attention lately. In the October/November 2009 issue of East West magazine, an article by Navdeep Singh Dhillon titled, “The Brown Underground” discusses the five new names in hip-hop worth knowing. While on TLH we have featured these names in previous posts and are fans of their work – we wanted to highlight this new article as it provides a very intimate look at these artists. Musicians, rappers, emcees or whatever you may call them – they, at the end of the day, are regular guys (believe me, they are). They work, they go to school, they feel strongly about adversities that are going on all over the world. Unlike many, however, they are using their talent to channel that emotion into creativity and into their music. We definitely like what we’re hearing and whether they know it or not, these artists are paving a path for generations to come.
The article highlights the work of Canadian-based Humble the Poet and Sikh Knowledge, D.C.-based Saint Soulja of G.N.E., Hoodini from Los Angeles and Mandeep Sethi from San Francisco. You can read about their quest into this industry and how being a Sikh plays a role (or does not) in their music. What’s clear about these artists is that while they are Sikh, they don’t necessarily only rap about Sikh issues or only about issues affecting our community and that’s what makes them stand out in my mind. Injustice to any group is an injustice to humanity and as Sikhs, that is something we should resist. We can rest assured that these artists are having that dialogue.
